The last time I wrote about Skipp Whitman he just wanted to be famous, and knew he meant it. Now he’s got the confidence of ten men and he’s ready to take the rap life by storm. 5AM is a rare sophomore effort which exceeds its predecessor without changing what made the first album work. These songs flow together and showcase Whitman’s laid-back Jay-Z inspired grooves even as he further stylizes his own flow.
“Strangers told me I should be patient / angels sitting on both my shoulders / telling me ‘don’t go changing’ / just to try to please anybody at all’ / but I told them I was having a ball!” he raps on “Won’t Change,” marking a template for the rest of the album. It isn’t that he’s changed, it’s that he’s built on what came first and improved it, making for a fresh listening experience. “LA in the Rain” speaks of what pressure there is to “make it” in an industry where you have to be confident enough to say no to the hangers-on who will ditch you surely for every next big thing. The thundering repetitive drone of the backing track makes the song stand out as claustrophobic like a traffic jam, echoing the restlessness Whitman’s experienced coming up in the world of hip-hop, fighting for every opportunity.
The album’s clincher, however, is its most radi0-ready track, “The Upgrade,” which features the best of Whitman’s rhyming coupled with a sung chorus featuring Louie Bello that brings the hook times ten. “Here’s to the people who said it would be years / before I got any music-related bread,” Whitman sneers, making cracks about hangers-on who want to get a taste after even the slightest success. The melody of the beat will stick in your head, and you’ll be singing Bello’s chorus long after the song’s come to an end.
Skipp Whitman’s building his reputation as a brashly fearless rapper who understands his skills and is willing to work to get to the top even if it has to be one album sold at a time building a fanbase on the ground. 5AM stands tall as a sophomore album which avoids the slump frequently plaguing hip-hop artists who experience sudden fame and can’t handle it. He’s not rapping about making millions and getting a stable of bitches. It’s a matter of his smaller goals being reached, or at least becoming attainable. “I told you that I couldn’t straighten up and sitting on the sidelines ain’t enough,” he raps on “When I Let Go.” “Just being a spectator ain’t on par with how I see my life going.” This is the hip-hop album for those of us who first dream big, then do bigger — no apologies.