If you’ve come into this late, just refresh the page every few minutes. I add all the new posts at the top! Enjoy …
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10:27 p.m. — Awesome that they fit in “No Sleep Til Brooklyn” to really give Adam Yauch the send-off he deserved. Too bad they then cut it off with a commercial for the Grammy Foundation. Hopefully the whole performance goes online. I’ll post it on here tomorrow if it does. That’s it for the night, y’all! Feel free to sound off in the comments! It’s been fun, but I’m glad this is a once a year thing ;)
10:25 p.m. — I hear you Grammys, saving all the hip-hop for last, but at least it was worth all the hype. Too bad they couldn’t give out the real great hip-hop awards on here, and give some credit to the new generation of artists. Instead, the best albums got their awards online, if at all.
10:22 p.m. — Gearing up for the final performance of the night, featuring LL Cool J, Chuck D, Tom Morello, Travis Barker and others … coming up! Whew. I’m ready for a nap!
10:16 p.m. — And the Grammy goes to … MUMFORD! WHO’D HAVE THOUGHT? Definitely didn’t see that coming for “Babel.”And our first big bleep of the night … always good.
10:15 p.m. — Adele can’t help but steal the show. She’s here to present Album of the Year. Great joke about getting “knocked up like last year’s winner.” Fun’s been dominating but I still think Frank Ocean could have this one.
10:11 p.m. — And now Frank Ocean’s much hyped “Grammy performance debut.” I love “Channel Orange,” and think he deserves all the praise he’s gotten for it, but this was a ragged out of key start. He must have been having a hard time hearing himself.
10:09 p.m. — A nice version of “Your Song,” by legendary artist Juanes, which isn’t exactly the greatest Elton John song, but it is the most played. Blending English and Spanish was a really really nice touch.
10:03 p.m. — We’ll miss you Levon.
10:02 p.m. — I really think Alabama Shakes was robbed … Fun is great, and maybe this performance has me enjoying everything a bit too much, but that woman’s voice … just let me listen to her and Mavis Staples the rest of the night. Elton can’t even hold a candle to it, and he’s working his damned ass off. THIS is the Grammy Moment LL’s been waiting for all night. And it won’t be topped.
10:00 p.m. — I enjoyed Mumford’s performance earlier, but they’re having way more fun on this cover of The Band … this is why I remain a fan. I’d love to see them twist more beyond the four-to-the-floor folk stomps they’ve been known for.
9:58 p.m. — I love Mavis Staples’ voice … can she sing more on shows like this? Daaaaamn!
9:57 p.m. — Commemorating the life of Levon Helm, Elton John also calls out the Sandy Hook families for our rememberance, then plays “The Weight” at long last — a great performance I’ve been waiting for all night! Talk about an all-star band up there playing one of the best songs EVER written.
9:55 p.m. — Those we lost this year starts with Dave Brubeck and Andy Williams, then Donna Summer. Robin Gibb gets a few seconds, love his voice … Patti Page (reminds me of Kelly Clarkson’s great performance). Davy Jones of the Monkees … Dick Clark gets the same time as anyone else. Andy Griffith gets a nod as an actor and singer. Kitty Wells … love that song “Honky Tonk Angels.” Doc Watson’s another great we’ll miss. But Ravi Shankar made a huge impact as well. Adam Yauch got a good Beastie Boys clip on there. I appreciate that they put producers and writers in this as well — they deserve their moment. It’s a shame when they put four or five on a screen, you can’t differentiate between them. But I thought it was a classy mix.
9:52 p.m. — Justin Timberlake’s back to talk with Ryan Seacrest about making noise for great performers we’ve seen tonight … suggesting it might be the Best Grammys Ever. Eh … but more he wants to thank the music teachers, unsung heroes that they are. The Grammy Foundation is now creating a music educator award for Grammys 2014. Let the whoring begin … it’s nice to have teachers get an award, but I suspect it’s just going to be more politics.
9:48 p.m. — Can’t go wrong with some Dave Brubeck! Digging this indeed … I just might “take five” and relax a bit …
9:44 p.m. — Classless Grammy Moment: Would it kill them to have let Kimbra talk for 30 seconds without playing her off? Douchey move.
9:43 p.m. — Love it even more that Gotye thanked Prince for inspiring him to make music. I hear more Phil Collins in much of his work, but it’s always great to be able to thank your inspirations. Great speech, Gotye!
9:42 p.m. — Record of the Year goes to Gotye! FINALLY I got one right! Too bad I’m still blocked on Twitter, or I’d boast the hell out of this one, by posting pictures of myself in Gotye inspired bodypaint. Now the world can never see them. Take that, Twitterlimits!
9:41 p.m. — Record of the Year presented by PRINCE … why not let him play his song? It’s better than 99% of this show so far!
9:36 p.m. — That glowing dress is definitely eye-catching, and this song is going to wind up stuck in my head the rest of the night. LL’s probably backstage loving his latest predicted “Grammy Moment,” but at least with this one I think he was right.
9:34 p.m. — Hunter Hayes sounds great. Too bad he hasn’t won anything. And now he gets to sing with Carrie Underwood, which is excellent if you like country. If you’re tired of all the country and wish they’d go back to the CMAs, I guess you need to mute the next few minutes.
9:26 p.m. — And the Grammy goes to …………. FUN! Wow … take that, folk rock revival AND new artists all at once … they’ve been at this TWELVE YEARS! But great speech: “I’ve got to pee so bad!”
9:25 p.m. — Katy Perry presents BEST NEW ARTIST … I called it for Alabama Shakes earlier, but can they turn back the Fun. tide?
9:23 p.m. — Leave it to Jack White to show us why, even when his album Blunderbuss wasn’t a flat-out classic, it’s still better than most stuff out there. “Freedom at 21″ definitely IS a stone cold classic, and it should win more kudos than it does. I love that solo!
9:22 p.m. — WTF? Apparently I’m over my limit for Tweets. They need to up that limit if they want to advertise “live tweeting” as a thing. Booo ….. but hey, there’s Jack White, I feel better now!
9:20 p.m. — The Lumineers need to get a deal with Hallmark to market this chorus, which I still say could sell a million Valentines. It’s really great to hear music like this getting big radio play. Should be a fun race in the soon-to-be-announced “Best New Artist” category!
9:11 p.m. — This has improved greatly now that they finally got done with the Bruno Mars song and let the real reggae shine. Damien Marley is killing it!
9:06 p.m. — The long awaited Marley tribute starts with Bruno Mars singing his own song, “Locked out of Heaven.” Not an auspicious beginning, though it’s a rousing version of his song.
9:02 p.m. — Entering hour three of this live blogging experience, so you don’t have to. I’d love to hear what you think, if you’ve been reading along — @Sanders_SSv is active on Twitter!
8:58 p.m. — Best Country Album goes to Zac Brown Band. Meh. I was rooting for Hunter Hayes, but man the Time Jumpers had a nice Lyle Lovett sound.
8:55 p.m. — That version of “Tennessee Waltz” is why I was so bored with Rihanna. Kelly had all the soul Rihanna lacked … and she’s continuing to kill it on “Natural Woman.” This is what Grammy performances are made of, people! Take note …
8:53 p.m. — Kelly Clarkson on lifetime achievement winners … waiting for her to really wail on some Carole King. This should be good!
8:52 p.m. — I think that’s gonna win as performance of the night unless someone really pulls a rabbit from their hat. Watched the Black Keys on Austin City Limits playing just the two of them. Comparitively, this is a total circus … and I still dig it!
8:49 p.m. — The Black Keys with Night Tripper, Dr. John and the Preservation Jazz Band … this better be GOOD! I’m really looking forward to this …
8:43 p.m. — Jay Z wins the night with his quote: “I’d like to thank the swap meet for his hat!”
8:41 p.m. — Best Rap Sung Collaboration goes to “No Church In The Wild” featuring Jay-Z’s entire posse!
8:39 p.m. — Mikky Ekko really elevated that song into a solid duet when all was finally said and done. I wouldn’t call it fantastic, but I enjoyed it.
8:36 p.m. – Around and around she goes, where she’ll stop no one knows. I don’t know how I feel about her insisting on playing her song about how she wants Chris Brown to stay in her life, But it’s a nice enough sounding song. Still, nothing I’d write home about.
8:28 p.m. — Wow, Kelly Clarkson wins Best Pop Vocal Album … thought Fun was gonna win that one, but she seemed glad to get it, and it’s a great album — even if it was written by committee.
8:25 p.m. — Not a big fan of this direction of Alicia Keys tuneage. “Girl On Fire” leaves me feeling like Fun getting rained on.
8:23 p.m. — The first WTF performance combo of the night goes to Maroon 5 and Alicia Keys. I’m played out on Adam Levine, and I’m not sure how this is going to lead properly into anything from Keys.
8:21 p.m. — Way to go Black Keys! I thought Alabama Shakes might win this earlier in the day, but as the Keys dominated the pre-Grammy awards, I figured the tide was turning in their direction.
8:11 p.m. — Urban Contemporary Album better go to Frank Ocean and not that asshole Chris Brown. Okay good, crisis averted! Thank you Grammys for rewarding a great album!
8:07 p.m. — This just in: the next JT song equates love with drugs and addiction. He’s the user, she’s the pusher. But it’s got a fat groove, and I’m liking it more than what he’d previously released from the “20/20 Experience.” I’m going to guess it’s called “Pusherlove.” We’ll see.
8:05 p.m. — Jay Z pumped it up after the average “Suit and Tie” performance. The sepia filter beat us over the head with the idea that JT wants us to see this as “retro inspired.
8:03 p.m. — Ellen and Beyonce introduce Justin Timberlake’s … triumphant? … return? We’ll see how it turns out.
7:58 p.m. — Justin Timberlake’s coming up along with a ton of other random performances, including a tribute to Bob Marley featuring Bruno Mars. Wow. Wonder if Taylor Swift’ll sing along with it like she was with Mumford out there in the crowd.
7:55 p.m. — Great song by Mumford. And these guys always look like they’re enjoying themselves, though they’re much more restrained here than on SNL earlier this season. THAT was a live performance!
7:51 p.m. — And the Grammy goes to … Fun.
7:50 p.m. — Song of the Year — should go to Carly Jepsen hands down!
7:41 p.m. — Weirdest segue into the Best Country Solo Performance award. I’m going to bet on Hunter Hayes here. (Edit: Oops, it went to Carrie Underwood. Go figure. I think I’m out of touch on what works in mainstream country, now that Americana’s gone pop.)
7:40 p.m. — I’m not hating this song from Miguel and Wiz Khalifa. Hadn’t heard it before, so it was a nice surprise as we near the end of hour one.
7:36 p.m. — Miranda really elevates this song, but it sounds like too many others before it to be really that memorable. I’m yawning and waiting for more awards.
7:32 p.m. — Dierks Bentley and Miranda Lambert get to play instead. Miranda Lambert sounds great as usual, though this isn’t my favorite song of hers. It’s a fairly typical tearjerker with the kind of chorus anyone from Kelly Clarkson to Carrie Underwood could pull off indiscriminately. Dierks, meanwhile, sounded bored out of his mind singing there — either that or he took too many pills backstage or something.
7:31 p.m. — Bonnie Raitt and John Mayer … ought to be good! Oh wait, they’re not singing … boooooo!
7:23 p.m. — Not a bad performance from Fun, though they have this song down to an art now. No real surprises here. Anyway, nothing’s gonna stop them except perhaps an onstage rainstorm …
7:20 p.m. — Solo Pop Performance should go to Carly Rae, but … Adele sucks up all the awards in the room.
7:10 p.m. — Enjoying this duet between Elton John and Ed Sheeran, and Sheeran gets to actually play his own song (“The A Team”) rather than suffering through someone else’s song as a “tribute.”
7:05 p.m. — That was a hot mess. But LL says it’s the greatest show on earth, and he’d never lie … and he thought Swifty was “spectacular.”
7:02 p.m. — Taylor Swift opens the Grammys, which means we can now get on to the real business of rocking once she sits back down. I like her album, but man this song got overplayed!
6:56 p.m. — The Black Keys won big online, but won’t get as much love during primetime, while I question how much we can expect from Timberlake’s big performance and again, with LL Cool J back to “host,” do the Grammy’s really need a host? Doesn’t all that music speak for itself?
6:49 p.m. — Drake’s win for Best Rap Album for Take Care has his fans in Canada excited, though in the end it seemed like a pretty weak field. Having a hard time remembering how rare it is for this category not to make the live telecast.
6:40 p.m. — Welcome to the 2013 Grammy Live Blog here at “Hear! Hear!” With no Adele around to dominate every single on-TV award like it seemed she did last year (with a few detours for the likes of Chris Brown … ugh!) I’m expecting some key surprises. Here are my picks in the “Big Four” categories:
Record of the Year: I think this one’s going to come down to Fun vs. Gotye, with Taylor Swift sitting on the sideline disappointed. I’m going out on a limb and predicting Gotye’s “Somebody I Used To Know” will win based on just how dominant that song was across pretty much every platform.
Album of the Year: Jack White fans can attack me now, but while the Grammys won’t give big awards to rap albums, they do love R&B, and Frank Ocean’s story is the kind that gets voters salivating. My bet’s on a surprise win for Ocean.
Song of the Year: “Call Me Maybe” may be annoying as all hell, but it is clearly a song which became ubiquitous because it was ultimately the most incredible earworm you’ll hear anywhere. If it doesn’t win, I’ll be stunned. Fun’s “We Are Young” and Kelly Clarkson’s “Stronger” don’t even come close.
Best New Artist: I think the tide’s turning in Alabama Shakes’ direction, based on all the pre-Grammy hype, Above all, though, this category is stacked deep with talent. Alabama Shakes will most likely be the winner — but if Frank Ocean or Hunter Hayes pull out a shocker, expect a Twitterbomb of vitriol. And with Grammy voters’ past moves, who’d put it past them?