If you, like my wife and I, became immediately hooked by Netflix’s bingeable hit Orange is the New Black, and you’re eagerly awaiting the second season so you can marathon the hell out of it, now’s your chance to pick up a copy of the soundtrack album! Among included artists are title-track songstress Regina Spektor, as well as contributions from Kelis, Betty Davis, The Staples Singers, The Velvet Underground & Nico, and much more to sink your aural shiv into. Worried you’ll miss a minute of the show? Don’t worry — “You’ve Got Time” So give it a listen! And if you get the chance, grab a copy on limited edition Orange Vinyl! Season two of the series releases in its entirety on Netflix June 6th.
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1. Regina Spektor – You’ve Got Time
2. Betty Davis – Walkin Up The Road
3. Latimore – Move And Groove Together
4. Tune-Yards – Gangsta
5. The Staple Singers – I’ll Take You There
6. Kelis – Milkshake
7. Leagues – Walking Backwards
8. Little Foot Long Foot – Kickface
9. Velvet Underground – Sunday Morning
10. The Dutchess and The Duke – Living This Life Makes It Hard
11. Nancy Cassidy – Chicken
12. Whispering Jack Smith – Baby Face
Rich Robinson, of the Black Crowes, has announced he will officially release his third solo record The Ceaseless Sight in June, and has premiered the lead single “One Road Hill” via Paste. You can check out the song below, featuring its strong folk melody, hand-claps and Robinson’s patented jangling acoustic guitar style, all of which echoes through the entirety. I’m really excited to hear more from this one.
In related news, beginning March 8th, Robinson will proudly join the likes of stalwart names such as Buddy Guy, Zakk Wylde, Robby Krieger, Jonny Lang, Bootsy Collins, Eric Johnson, Kenny Wayne Shepherd, and Billy Cox (Band of Gypsys, Jimi Hendrix Experience) and many more on the Experience Hendrix Tour presented by BandFuse: Rock Legends. Robinson will be performing on the following select dates:
March 8 – Shawnee, OK – Grand Event Center
March 9 – Midland, TX – Wagner Noel Performing Arts Center
April 4 – Milwaukee, WI – The Riverside Theater
April 5 – Merrillville, IN – Star Plaza Theater
April 6 – Peoria, IL – Peoria Civic Center
April 8 – Minneapolis, MN – State Theater
Excerpted from PJ Lifestyle — to read the entire article, click here– I highlight the best of new album and DVD / Blu-Ray releases, as well as interesting tech finds. It’s my weekly column, “Tuesday New Releases,” every week at PJ Lifestyle.
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As if one needed further proof of a downward-trending music industry, Adele’s 21 became the first album of the Soundscan era to lead all album sales two years running. In other words, nothing released during all of 2012 could unseat an album released in the first month of 2011. All that with Adele sidelined by vocal-chord issues and her pending pregnancy.
Taylor Swift tried and failed to block that path, with Red falling 1.3 million from 21 despite having four top ten hits, none of which ranked inside the year’s top ten overall. The year’s big winners — Gotye, Carly Rae Jepsen and Fun — dominated single sales with their first Hot 100 releases. No one knew their names when the year began, and it remains questionable whether either can follow it up.
With the fresh start a new year brings, we need to face facts: LPs no longer draw long-term interest from fans, who prefer the instant gratification of a viral hit single. And no matter how many singles get parceled out to radio stations month after month, an artist lives or dies by the success of the last one.
Singles don’t drive album sales — they simply drive demand for more singles.
Having sacrificed the long-term stability inherent in developing artists over the long term, labels must now watch as newcomers either instantly dominate or free-fall. Veteran acts, meanwhile, either find ways to continually churn out successful singles to dying radio while courting fickle audiences online or they cling to the hope that their next album will prove different. Just ask Aerosmith how that worked for them.
Welcome to the new industry normal. Observing which bands find ways to use these trends to their advantage will provide the real fun of chart-watching in 2013.
Today James Blunt comes out of nowhere to let the world know he’s retiring from music, needing to “have time to himself” despite his actions generally speaking for themselves: no album since 2010, no touring since 2011. I can’t help but think of Taylor Swift’s “We Are Never Ever Getting Back Together,” where she sings:
I remember when we broke up the first time
Saying: “This is it, I’ve had enough.”
We hadn’t seen each other in a month
When you said you needed space.
Message to James Blunt — no one’s waiting for your new album. As Bob Lefsetz outlines in his email column today, in the modern music industry you either release new material or you die. This ties into rules 3 and 4 as he relays it: “Make new music” and “keep improving your music.” If you need space, we’re perfectly happy to remember the beautiful relationship while it lasted. But let’s be blunt: We’ve moved on.
Today marks the launch of my new “Tuesday New Releases” column at PJ Lifestyle. As it has only been up a few hours, I’m just linking to the column there. I hope you’ll check it out:
With so much new music, movies and technology available on a weekly basis, even the most plugged-in people find it difficult to find the truly interesting products. Here at PJ Lifestyle we’re all about keeping it simple. Check in each Tuesday for information about current album and DVD/BluRay releases, along with hot new technology and gadgets you’re sure to want to make your own.
This week on the music side, I’ve highlighted albums from A Fine Frenzy (Pines), Jamey Johnson (Livin’ For a Song: A Tribute to Hank Cochran) and Rah Rah (The Poet’s Dead) which are now out in the US, as well as past weeks’ albums from Ben Folds Five, The Mountain Goats and Diane Krall. The list ends with some cool tech finds, which may interest you as we near the Holiday shopping rush.
As usual, if you have any suggestions which might improve the column — albums, artists or products you think deserve to have a wider audience, please feel tree to email me at email@example.com.
Diana Krall turned to T-Bone Burnett to produce her latest album, Glad Rag Doll, due out October 2 on Verve, and the result invigorates what has already been a many storied career. The album’s second track, “There Ain’t No Sweet Man That’s Worth The Salt Of My Tears,” channels Tom Waits so effectively you’ll think you’re listening to a long-lost outtake from Small Change, and the remainder of the album builds on that energy. Glad Rag Doll is Krall’s love-letter to the 1920s, building up to the title cover of the Alger and Yeller theme which more than lives up to the challenge she’s set for herself to create an intimate album which feels like you’re traveling the world while being whispered to in your own living room. This isn’t the most flashy album, or even the most anticipated, to be issued this fall. But Diana Krall’s Glad Rag Doll is a significant departure from what she’s done before, and it serves as an excellent reintroduction to a performer who deserves to be more widely acknowledged.
You can hear the official first single from the album, “Just Like A Butterfly That’s Caught In The Rain,” below.
If you think Mumford and Sons are the greatest folk band to make the crossover to pop, you’ve barely scratched the surface of what the Avett Brothers offer. Their album I and Love and You should have been their massive breakthrough to mainstream success, but instead it left room for their latest, the Rick Rubin-produced The Carpenter, which drops September 11th. But you don’t have to wait that long to hear it — NPR’s excellent “First Listen” series has the exclusive on the full album stream, which showcases how little it took to twist the band’s signature sound enough to make this perhaps the surest success of the fall thus far. “The Once And Future Carpenter” opens the album on a strong Vandaveer-esque note, but the band really gets going on the stunning ballad “Winter In My Heart,” which is everything one could want from an Avett Brothers song and more. I can’t wait to dig deeper into this album, which is perfect as an introduction or a continued exploration for fans who already know they love what the band offers.