BEFORE I LOSE CONTROL: Lebanese performer Jay Wud is the best guitarist you haven’t heard

It only takes a single listen to Jay Wud’s single “Low” to know you’re listening to someone who knows his modern rock music, someone who should be better known here in the U.S. than he is. The Lebanese singer-songwriter, based in Dubai, has worked regularly with producer Howard Benson (Motorhead, My Chemical Romance) and has been influenced by the likes of Steve Vai and the Foo Fighters. He’s toured the world supporting Guns ‘n’ Roses and Aerosmith, building a reputation for being a versatile guitar presence with electrifying vocals and the stage presence to draw in even the most jaded fan. “Low” is centrally featured on an upcoming EP which he hopes will introduce him to American audiences.

Check out a live video below of “Masquerade” which features Malikah, known as the Queen of Arabic hip-hop. To learn more about Jay Wud, check out his official website and Facebook page.

HANG ON, ST. CHRISTOPHER: Jake Owen – “What We Ain’t Got”

Jake Owen’s latest is also his career zenith, and the genre’s best of 2014.

Anyone who thinks great songwriting is a lost art in country music needs to hear “What We Ain’t Got,” as written by Travis Meadows and Travis Jerome Goff and recorded by Jake Owen. Bare necessities abound, as Owen’s voice and a piano provide the backbone for the most moving song I’ve heard this year in any genre.

I wanted the world until my whole world stopped
You know a love like that ain’t easily forgot

Neither is a song that hits so close to the bone. Forget “Barefoot Blue Jean Night” or “Beachin'” … this is going to be the song people will remember Jake Owen for.

FEATURED SONG: She Keeps Bees – “Radiance”

Brooklyn-based duo She Keeps Bees knows how to build a song through quiet swells and subtly-menacing grooves. Their latest, “Radiance,” heralds the coming of Eight Houses, due out September 16th, via a carefully layered track built on melancholy chords of piano against mild percussive rhythms and the sultry-sweet vocals of Jessica Larrabee. Four albums into their career, they’ve yet to rise beyond “best band you haven’t heard,” but the material here suggests they deserve a great deal more.

Give the track a listen via the streaming link above, and feel free to sound off in the comments. Their tour dates are below as well.

UPCOMING SHOWS:
8/29 – Seattle, WA @ El Corazon

8/30 – Portland, OR @ Hawthorne Theatre Lounge

9/3 – San Francisco, CA @ Brick & Mortar Music Hall

9/6 – Los Angeles, CA @ The Satellite

9/7 – San Diego, CA @ Soda Bar

9/8 – Phoenix, AZ @ The Rhythm Room

9/10 – Las Vegas, NV @ Beauty Bar

9/11 – Salt Lake City, UT @ Kilby Court

9/12 – Denver, CO @ Marquis Theater

9/13 – Kansas City, MO @ Czar bar

9/14 – Lincoln, NE @ Duffy’s Taver

9/15 – Des Moines, IA @ Vaudeville Mews

9/16 – Milwaukee, WI @ Club Garibaldi

9/17 – Detroit, MI @ PJ’s Lager House

9/19 – Cleveland, OH @ Beachland Tavern

9/20 – Athens, OH @ The Union

9/25 – Cambridge, MA @ Middle East Upstairs

9/26 – Philadelphia, PA @ Kung Fu Necktie

9/27 – Washington, DC @ The Lot (Atlantic Plumbing)

11/12 – Bristol, ENG @ The Lantern

11/13 – Manchester, ENG @ Gullivers

11/15 – London, ENG @ The Lexington

FEATURED SONG: Miles Wick – “In Front Of You”

 

Photo Credit: Don Paris Schlotman

Meet Miles Wick, a Brooklyn-based singer-songwriter who embodies equally the melodic vocals of Paul Simon and the scene-setting of Sufjan Stevens. Wick, who plans to release his latest album So Much Love on June 27th, has already been profiled in Obscure Sound and Independent Music News, drawing comparisons to Arthur Russell and Damien Jurado. Here, for the first time, we present his stunning track “In Front Of You,” which will make you a believer in the first thirty seconds, its bare-bones acoustic melody providing just enough structure to keep his rising-falling ethereal vocals from spinning out of control into the void. The arrangement’s subtle use of background harmonies blended with light bass and piano draws you in instantly. “It’s all in front of you,” he sings hauntingly on the chorus, and as the swell builds before us we’re just glad for the opportunity to partake.

FEATURED SONG: Tom Levin – “Father to a Son”

A few months ago I introduced you all to Tom Levin, an artist I feel is destined for much bigger things in the future. He’s released a video for “Father to a Son,” one of the standout tracks from his album Them Feet which, if you haven’t heard it, now’s as good a time as any! The video, which you can view below, is a perfect counterpoint to the traditional songs about fathers and sons, a work of art that elevates the song via a colorful blend of animation and live images showcasing three generations living life fully.. I’ll let Levin say it in his own words:

“Father To A Son” is about my father, me and my son. Ever since I became a father, I’ve been thinking a lot about  what kind of person I want to be and what I really leave behind. I can pursue a career, start a company, make money, acquire gadgets and build a house. But the one thing that, in a longer perspective, truly will affect many generations to come is the respect I show my fellow humans and the love I give my children. This is my true legacy.

FEATURED SONG: Terese Taylor’s “Briefcase” a scathing indictment of love gone awry

I’ve got to say, I like the sound Terese Taylor brings to the table, a biting combination of anti-Lilith nineties post-grunge that references PJ Harvey and Liz Phair, with just as much appreciation for bands like Veruca Salt sneaking out through the lines. “If I ever wanted to be true I’m sure it wouldn’t be to you,” she all but snarls on the chorus of “Briefcase,” emphasizing an inherent distaste for truth-telling in a situation where both sides are hiding plenty in the shadows. This isn’t the easy pop breeze look at love on the rocks, where a well-placed apology will fix everything. This is more akin to the blind leading the blind. “I’m lying to myself and everybody else,” she sings, and the strident guitars and fuzzed-out bass are unobtrusive enough to let Taylor’s understated vocals take the lead. This is a keeper — At Your Mercy Circuit, out in April, has officially jumped onto my “must hear” list.

“I’M YOUR 911!” — Mumiy Troll’s “Swimming With Sharks” expands band’s hook-filled legacy, strongest English-language single yet

Read the “Hear! Hear!” interview with Ilya Lagutenko from last May.

It is fitting that Mumiy Troll’s latest single, “Swimming With Sharks,” builds its hook upon a surf-rock infused bass melody and a hook which catches you off guard with its insistent groove. Ilya Lagutenko’s giddy sense of pop-rock fun is catchy and makes this one of the band’s strongest singles yet, and their best by far in the English language. The video itself is pitch-perfect, proof of the band’s talent as Russia’s greatest pop export and more than enough reason to check them out if you’ve yet to take the plunge. Swimming with these sharks is all the more dangerous because there’s blood in the water, but what fun is there in always playing it safe?

Keep an eye out for the band’s 11th full-length, which they’re recording in English and Russian in between dates on their relentless touring schedule.