Brooklyn-based duo She Keeps Bees knows how to build a song through quiet swells and subtly-menacing grooves. Their latest, “Radiance,” heralds the coming of Eight Houses, due out September 16th, via a carefully layered track built on melancholy chords of piano against mild percussive rhythms and the sultry-sweet vocals of Jessica Larrabee. Four albums into their career, they’ve yet to rise beyond “best band you haven’t heard,” but the material here suggests they deserve a great deal more.
Give the track a listen via the streaming link above, and feel free to sound off in the comments. Their tour dates are below as well.
8/30 – Portland, OR @ Hawthorne Theatre Lounge
9/3 – San Francisco, CA @ Brick & Mortar Music Hall
9/6 – Los Angeles, CA @ The Satellite
9/7 – San Diego, CA @ Soda Bar
9/8 – Phoenix, AZ @ The Rhythm Room
9/10 – Las Vegas, NV @ Beauty Bar
9/11 – Salt Lake City, UT @ Kilby Court
9/12 – Denver, CO @ Marquis Theater
9/13 – Kansas City, MO @ Czar bar
9/14 – Lincoln, NE @ Duffy’s Taver
9/15 – Des Moines, IA @ Vaudeville Mews
9/16 – Milwaukee, WI @ Club Garibaldi
9/17 – Detroit, MI @ PJ’s Lager House
9/19 – Cleveland, OH @ Beachland Tavern
9/20 – Athens, OH @ The Union
9/25 – Cambridge, MA @ Middle East Upstairs
9/26 – Philadelphia, PA @ Kung Fu Necktie
9/27 – Washington, DC @ The Lot (Atlantic Plumbing)
11/12 – Bristol, ENG @ The Lantern
11/13 – Manchester, ENG @ Gullivers
11/15 – London, ENG @ The Lexington
Meet Miles Wick, a Brooklyn-based singer-songwriter who embodies equally the melodic vocals of Paul Simon and the scene-setting of Sufjan Stevens. Wick, who plans to release his latest album So Much Love on June 27th, has already been profiled in Obscure Sound and Independent Music News, drawing comparisons to Arthur Russell and Damien Jurado. Here, for the first time, we present his stunning track “In Front Of You,” which will make you a believer in the first thirty seconds, its bare-bones acoustic melody providing just enough structure to keep his rising-falling ethereal vocals from spinning out of control into the void. The arrangement’s subtle use of background harmonies blended with light bass and piano draws you in instantly. “It’s all in front of you,” he sings hauntingly on the chorus, and as the swell builds before us we’re just glad for the opportunity to partake.
A few months ago I introduced you all to Tom Levin, an artist I feel is destined for much bigger things in the future. He’s released a video for “Father to a Son,” one of the standout tracks from his album Them Feet which, if you haven’t heard it, now’s as good a time as any! The video, which you can view below, is a perfect counterpoint to the traditional songs about fathers and sons, a work of art that elevates the song via a colorful blend of animation and live images showcasing three generations living life fully.. I’ll let Levin say it in his own words:
“Father To A Son” is about my father, me and my son. Ever since I became a father, I’ve been thinking a lot about what kind of person I want to be and what I really leave behind. I can pursue a career, start a company, make money, acquire gadgets and build a house. But the one thing that, in a longer perspective, truly will affect many generations to come is the respect I show my fellow humans and the love I give my children. This is my true legacy.
I’ve got to say, I like the sound Terese Taylor brings to the table, a biting combination of anti-Lilith nineties post-grunge that references PJ Harvey and Liz Phair, with just as much appreciation for bands like Veruca Salt sneaking out through the lines. “If I ever wanted to be true I’m sure it wouldn’t be to you,” she all but snarls on the chorus of “Briefcase,” emphasizing an inherent distaste for truth-telling in a situation where both sides are hiding plenty in the shadows. This isn’t the easy pop breeze look at love on the rocks, where a well-placed apology will fix everything. This is more akin to the blind leading the blind. “I’m lying to myself and everybody else,” she sings, and the strident guitars and fuzzed-out bass are unobtrusive enough to let Taylor’s understated vocals take the lead. This is a keeper — At Your Mercy Circuit, out in April, has officially jumped onto my “must hear” list.
“I’M YOUR 911!” — Mumiy Troll’s “Swimming With Sharks” expands band’s hook-filled legacy, strongest English-language single yet
Read the “Hear! Hear!” interview with Ilya Lagutenko from last May.
It is fitting that Mumiy Troll’s latest single, “Swimming With Sharks,” builds its hook upon a surf-rock infused bass melody and a hook which catches you off guard with its insistent groove. Ilya Lagutenko’s giddy sense of pop-rock fun is catchy and makes this one of the band’s strongest singles yet, and their best by far in the English language. The video itself is pitch-perfect, proof of the band’s talent as Russia’s greatest pop export and more than enough reason to check them out if you’ve yet to take the plunge. Swimming with these sharks is all the more dangerous because there’s blood in the water, but what fun is there in always playing it safe?
Keep an eye out for the band’s 11th full-length, which they’re recording in English and Russian in between dates on their relentless touring schedule.
LET ME SHOW YOU WHAT A HERO DOES: DNA’s “Stonewall Jackson” breathes life into pop music with epic mythmaking
Saw these guys in Tell City, Indiana during their Schweitzer Fest performance the night before they laid down this spectacular live version of “Stonewall Jackson” at a show in Illinois. I had never heard the band prior to seeing their exceptional live show, yet I was singing along with this one instantly, the kind of thing which heralds a hit hands-down.
“Make ‘Stonewall Jackson’ the single and make station managers play it at knife-point,” I wrote in a quick email to the band after the set. “They’ll thank you for it later.” A month later I still agree. From the slow-burn guitar and keyboards opening to the frenzied chorus, the song’s got everything you need for a repeatable, ear-catching hook. And the rest of their songs fully live up to the hype, as fully laid bare on the band’s debut full-length Plenty of Thoughts.
There’s definitely plenty of room in the pop scene for a group of guys from St. Louis who have this much songwriting sense and the willingness to get out there and build a fan-base from the ground up. If you haven’t heard DNA, give the songa listen and then head over to their Facebook page. Then sit back and let your ears thank you.
Though many of us could be forgiven for not knowing Jonny Lang still had a recording presence, he returns today after a seven year absence with Fight For My Soul, which contains a surprisingly catchy first single — “Blew Up (The House)”, which features a man saving his soul by burning down all vestiges of his prior life “just to watch it burn down.” The song features as crunchy a groove as the young bluesman has yet produced, coupled with a Greek chorus of vocals which reminds this critic of Star Turtle-era Harry Connick Jr.
Rest assured, once you hear this song, you won’t forget it easily. And you’ll be likely to want to seek out the remainder of Fight For My Soul, which looks to be the musical maturation of a man who’s spent half his life reveling in all things blues. If you wondered, when hearing Lie To Me back in ’96, just how good this kid would sound like with some experience under his belt, the new material quickly, assuredly answers: “pretty damned good!”
For the tour-minded among you, Lang can be spotted in Minneapolis on September 18th, to be followed by a series of shows in the Midwest and along the east coast, before he hits Europe in October.