With serious pop potential, Mandy Barry needs less sonic clutter to let hooks shine

Mandy Barry

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Though I aim for this site to cover all forms of pop music, sometimes I let real guilty-pleasure bubblegum too easily slip through the cracks. Mandy Barry’s music clearly aims for the top 40 radio aesthetic, with a sound akin to early Rihanna, before “Umbrella” made her a household name. Having heard two of Barry’s songs (the other being the four-to-the-floor Britney-esque club track “Girl Break Up”) it’s clear she’s got an ear for hooks.

What she doesn’t have is a producer with a deft touch. It’s a shame “Second to Breathe,” which overall is her strongest single, doesn’t take its own title’s advice. The overwhelming mix drowns a hook-laden, keyboard-heavy hook in tribal percussion and broadly-defined synth touches — the song, though solid, can’t completely shine through the mess. There’s a great deal of pop potential here if she takes the time to focus on stripping these pop tracks down to their strongest elements. Each track is worth a listen to hear what pop hit-makers sound like before they get their big break and the studio opportunities and advice which frequently come with such. Mandy Barry’s not all the way there yet, but I like her chances.

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