ALBUM REVIEW: Counting Crows – “Underwater Sunshine”

Counting Crows Underwater Sunshine

Album Review
Counting Crows – “Underwater Sunshine” (2012, Collective Sounds)

Counting Crows completed their deal with Geffen Records in 2010 with the release of Saturday Nights and Sunday Mornings, which revitalized their career and featured the band sounding as good as ever. Two years later – which is an incredibly quick turnaround for the band, all things considered – they’re back with Underwater Sunshine, a live album which manges to sound as good as any album of original material the band has produced thus far as they enter a third decade of recording.

The secret? Adam Duritz has been unleashed to cover his favorite songs, but with only a few exceptions he’s chosen to focus on hidden gems. The songs on Underwater Sunshine are, for the most part, songs you probably haven’t heard a lot in recent years. Hearing them together in one extended listening session, however, reveals instantly just how brilliant Duritz is at taking any song and cutting right to the quick. Whether he’s doing a relatively by-the-numbers version of Pure Prairie League’s “Amie” (the most recognizable song on the album by a long shot) or rocking the hell out of “Untitled (Love Song”) by relatively unknown act Romany Rye, he’s immediately able to become part of the song through his unique vocals. And the band picks up the pace right behind him, developing this song cycle of covers into a cohesive Crows album on par with the best work the band has produced.

In today’s musical climate the important thing is the music. If the music is good, fans will spread the word and even a band like Counting Crows can survive as independents, free of the constraints a label places on what music eventually is released. In Duritz’s case, leaving Geffen and setting his own course could be the best thing to happen to the band since Saturday Nights and Sunday Mornings brought their music full circle back to the rock of Recovering The Satellites and the roots-inspired sound of their debut August and Everything After. Here’s hoping the band’s next album of original material keeps going in this same direction, because for one happy moment it sounds like Duritz has put aside his fear of mainstream success and simply started having fun for a change.

Above: Counting Crows perform “Like Teenage Gravity” by Kasey Anderson, featured on Underwater Sunshine.

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