It’s so rare to stumble upon a singer-songwriter with such a rich textured voice as Gayle Skidmore. Such voice is a warm layering of the folk of Anais Mitchell coupled with the stinging depth of Amanda Shires, one perfectly worthy of two songs as varied as those she just released: “Rag Doll” and “Barrel, Trigger, Gun.” As a direct follow-up to her latest, a full-length LP and coloring book combo called Sleeping Bear, Skidmore — a six-time San Diego Music Award nominee — chose to record two fan favorites from her popular live sets.
“Rag Doll” is the sparest of the two, a guitar-based melody structured to lend full support to Skidmore’s vocals as she sings of the casual abuses we all endure as we fight against our baser instincts, striving to live sin-free even as we are the product of our own maker. The lyrics are staggeringly evocative:
I wear a covering
Chosen for me by a higher being
But he made me all full of dreams
That I may never find and never be
I am a rag doll sewn by a blind man
To keep him company and make him happy
But he sewed me all full of flaws
And now I’m breaking you just because
“Barrel, Trigger, Gun,” meanwhile choses to showcase Skidmore’s hidden Tori Amos, a song built on a simple series of piano arpeggios upon which a steady backbeat of bass drum and hammering effects provides a stage for a positively cinematic piece of performance art. “I was so easily persuaded to do wrong; a little kick was all it took to come undone,” she sings powerfully. “I was just trying to have a little fun but I’m the trigger, you’re the gun.” As the song fades into a wavering final echoed bass note, a return to the song’s opening seconds is immediately mandated.
Based on these first two tantalizing tastes, I assure you I’ll be digging deeper into Gayle Skidmore’s catalog while hoping she chooses to make Indianapolis one of her next tour stops. When she does, buy a ticket. I am sure you won’t leave disappointed.