ALBUM REVIEW: Tracksuit Lyfestile – “E=MC Hammered”




When I covered the finals of this year’s Battle Royale at Birdy’s, I was impressed to see that the much-vaunted Tracksuit Lyfestile lived up to all the musical hype. “An instrumental combo featuring trombone distorted through a varied set of live FX pedals, the band brought a hard rock edge to what is still a highly experimental sound,” I wrote at the time in NUVO. Combining tight metal guitar riffs with adventurous experiments in instrumental looping built upon, among other things, live trombone, makes a Tracksuit Lyfestile show something to behold.

The same holds true when listening to the band’s debut E=MC Hammered, though listeners should certainly knock their expectations up a notch as the level of musicianship is impeccable. Headphone listening at its best, Tracksuit Lyfestile encourages you to rock the fuck out at a live show, and then sit back and pick the music down to its bare elements at home, reveling in how they build these acid soundscapes.


Tracksuit Lyfestile live at Birdy’s during the Battle Royale Finals (Credit: Jonathan Sanders)


From the opening build of “Hurricane” the music grabs your attention, and then the band holds it through the little things; the “Hey! Hey! Hey!” choruses of “90/10,” the thundering wall-of-sound that is “Lunar Lounge,” and the crowd-pleasing “Beat It” cover being stand-outs. By the time they place us back gently on the ground with the staccato crunch and intricately melodic “A Vigorous Joe Pesci,” a return visit is a foregone conclusion. Just as soon as one can get online to find the band’s ‘Band In Town’ page, that is, because once you’re hooked you’ll want to see them live just to know for sure it isn’t just a bunch of studio trickery.

I assure you, it isn’t. Tracksuit Lyfestile is the most original band I’ve heard come out of the Indianpolis scene since I’ve moved here — call them the Cake of Naptown; they’ll inspire many, but few will be able to outright copy them. And that’s a very good thing!

The band will release the brand new album E=MC Hammered at the Melody Inn on july 15th with support from Moxxie, Coup d’Etat and Midwest State of Mind! Not many better spots to catch a live band in any city …. and for only $5!

Ghost takes Indianapolis by storm with sold-out Egyptian Room show


One of Ghost’s Nameless Ghouls onstage at the Egyptian Room in Indianapolis (Credit: Jonathan Sanders)

“Do we believe in Satan? The only thing that really matters is that he believes in us!” – Nameless Ghoul, via an interview with Noisey

Fresh off their Grammy win in the Metal category earlier this year for their album Meliora, it’s tough to imagine there’s a band more in-demand in the genre. Such was shown to be true when the progressive Swedish band took the stage at Old National Center’s Egyptian Room on April 20th, leaving some 2,000 fans speechless in the process, a sold-out performance in the heart of the Bible Belt. It is one thing to hear the band’s ironic take on Satanism on CD or Spotify and imagine the beasts creating such music behind the scenes. It is another entirely to witness the Nameless Ghouls in all their glory as they provide their full support for Papa Emeritus III, as you’re surrounded by an animated crowd of like-minded music fans.

If you’re among the uninitiated, this is perhaps the most adventurous, often beautiful, progressive rock you’ll hear outside of a Wax Fang show, and their performance never lets up. This was the band’s first time in the Circle City. Here’s hoping it isn’t long before they return to preach again soon. Religious Freedom, right, Governor Pence?


More photos below, all taken by yours truly, Jonathan Sanders, as I stood inches from the band, praying my camera — and my legs — wouldn’t die on me!

This slideshow requires JavaScript.



R'lyeh live at the 5th Quarter Lounge in Indianapolis. (Credit: Jonathan Sanders)

R’lyeh live at the 5th Quarter Lounge in Indianapolis. (Credit: Jonathan Sanders)

If you’re interested in hearing metal in the vein of Bongripper, Pelican and ISIS, you’re going to love Indianapolis-based R’lyeh. Inspired by the work of H.P. Lovecraft without necessarily being a “Lovecraft band,” the duo strives to push the envelope of what progressive instrumental metal can be, even as they deal with the changes required by becoming a two-member band following the loss of bassist Joshua Buchanan. I caught the band after their set at the 5th Quarter Lounge in Indianapolis to talk about the benefits of instrumental metal, the work they have done on upcoming debut album Color Out Of Space (due out this February) and what it is like being part of such a close-knit metal scene.

You can hear a sample from their upcoming album’s title track, shot live at the venue, below. The band will be playing Jiminy Christmas at the Emerson Theater on December 14th with half a dozen other bands to benefit Riley Children’s Hospital — $6 gets you in, or you can bring a new unwrapped toy!

– – – – –

First off, who would you say are your biggest influences, and how do they play into your sound?

We’re extremely influenced by a vast array of bands, everything from led zeppelin to AHAB, even bands like This Will Destroy You. We are heavily influenced by the whole post-(genre) scene: We really dig instrumental music. It forces the listener to really listen to the music, which is why we’re all here right?

We’ve been compared to bands like Bongripper, Pelican, ISIS … the good stuff. Those bands have played heavily into our sound, technically speaking and from a writing standpoint. It’s really only shifted into a more-rounded “thing” when we became a two member band, for we started as two. So the only thing now is filling empty spaces while maintaining a high-intensity stage performance to keep ’em on their toes!

The whole thing about R’lyeh is that we tell you a story. Our songs on our upcoming release Color Out Of Space are written and arranged in a fashion that represents the “rise and the fall” of all mankind. We build things (riffs) up so big to a point that we’re unable to maintain it, then we fucking destroy things (riffs) all the way down to the ground. You’ll hear us when you see us, you’ll feel us when you feel us, basically.

R'lyeh Live at the 5th Quarter Lounge in Indianapolis. They're just guitar and drums, but so much sound! (Credit: Jonathan Sanders)

R’lyeh Live at the 5th Quarter Lounge in Indianapolis. They’re just guitar and drums, but so much sound! (Credit: Jonathan Sanders)

Do you prefer writing in the studio, or working songs out with an audience? There’s certainly more at stake on stage, but does that give you more creative energy to take risks?

We write primarily at “the R’lair” (the basement of the Indy Indie Artist’s Colony: Thanks y’all for listening every week!) and we’ll run through things until we’re either really comfortable with the song or really hyped on the song and can’t hold it in. Kind of like the very last song we played last night at The Fifth Quarter Lounge, appropriately titled “November.”

Ideally we’d like to have a drum structure to follow, and nail the loops. We allow ourselves ample room for improvisation if needed, just in case. The creativity shows; every performance is different and personal.

Lovecraft inspired the name … Is it difficult to tell those epic stories with just the music? Is there a rush when fans get it?

Yes! R’lyeh (pronounced like Princess Leah, with a “ruhh” in front of it) is Lovecraft inspired, brought about by drummer Mathias (aka Dane, since it’s easier to say) and it was pondered on for a couple of weeks before we decided on the name “RLYEH,” though we aren’t really a “Lovecraft band.” We’re just a couple of dudes who like to get stoned and play some riffs really loud.

Sometimes it is difficult, yes, to tell such an epic tale though it almost just comes to us. I mean our longest song (“Untitled”) is roughly a 10 minute long build-up, and was written in just a couple of hours! It’s all about the jams and see what happens. When people come at me with the Lovecraft reference and actually “get” what we’re doing … what a great feeling.

What, to your ears, makes a perfect song? How do you know when you’ve gotten it right?

The perfect song (to me, Anthony) is when I can feel it more than I can hear it. If a song that I hear in my ears from the radio or the stage or wherever, if that song can make me feel something, than its a winner. I’m going to have to knock it up and wife it.

What song do you wish you’d written?

I wish I would have written “Down in Mexico” by The Coasters. R’lyeh Secret: We do a Black Sabbath cover, but only once so far, with someone else not in the band on vocals.

Is there anything you wish someone would ask you but they never do?

I wish someone would ask me if I wanted to do a shot and take a picture. Life’s too short, man.

Is there anything you wish they’d never ask again?

I wish they would quit asking us why we don’t have a singer.

R'lyeh guitarist Anthony Hampton. (Credit: Jonathan Sanders)

R’lyeh guitarist Anthony Hampton. (Credit: Jonathan Sanders)

Do you have any great “fan” stories about other bands, or about your fans?

I’m fortunate enough that some of my biggest fans are my best friends. And that probably goes both ways, the scene here is pretty close knit. Mona Demaggio [who runs the 5th Quarter Lounge] likes to get on stage with me while I riff. A girl pulled her boobs out and put them in my face once at a Burn the Army show. Honestly man, we could do a whole other interview on interesting stories from shows! [Laughs.]

Have there been any really memorable show disasters?

We’ve forgotten gear before, had to go back for it or borrow another bands. Ohlm got a flat tire and couldn’t make it once, that was rough. We had to cancel our show with Ringworm at Iron Borne Fest because I double-booked myself for a tattoo convention the same weekend. So many little things that always seemed to domino themselves into mega disasters. But we tend to work through the kinks pretty damn easily.

What was your recording experience on the album due this February? What should fans expect from the new album?

Color Out Of Space is the ride through the shit storm that is life. The buildup, the hype, the power, the greed all leads to the breakdown, the chaos, the destruction. You’ll hear riffs, you’ll follow along, you’ll feel relatable feelings and you’ll see the creativity and thoughts involved in putting this band together. We’ve had rough ups and downs along the way but the journey has been great. Expect a lot out of R’lyeh in 2015. We’re going to try and make this an actual thing, who knows where we’ll end up or when, but we’ll be sure to let you know.

THE LIVE WIRE: Burn The Army

Burn The Army live at the 5th Quarter (credit: Jonathan Sanders)

Burn The Army live at the 5th Quarter (credit: Jonathan Sanders)

It has been a full twenty-four hours and I am just now technically getting all my hearing back after the blazing firestorm Indianapolis’s own Burn The Army set loose at 5th Quarter Lounge. For three guys playing mostly instrumental metal, there’s no discounting how hard they worked out there to keep the crowd in a frenzy. Extra credit is due to their drummer, described by other band members as “a prodigy,” who was a whirling dervish out there, proving there’s no need for a gigantic 30-piece kit for a drummer to really pull out all the stops. He has to be seen and heard to be believed. Which you can do, by checking out their new song “Eidolon,” which they debuted, and we captured in HD, last night!

Turkish Delight: Canadian rockers Oldnfade do it “for the love” on righteous new hype single


I am not a politician
I am not a hypocrite
We are here making music
Our name is Oldnfade
We will destroy the stage
There is nothing wrong with what we do
No one ever tells us what to do
Life is too short, no worries
Keep it up, watch, enjoy with me

This may be the best pure hype single since Tenacious D first vowed to rock our socks off. Oldnfade, a Canadian rock band featuring a Turkish-born lead singer proves their mettle through catchy rock riffs — the lyrics matter little beyond proving they’re here “doing it for love,” and that they have no political motivation. They don’t take themselves too seriously, but rather simply want to make sure we know who they are and that, whatever happens, they’ll be sure to rock without pretense. Life’s way too short for anything else.


FEATURED SONG: Gauss – “Empty Frames”


Indianapolis's next breakthrough band? If you're a metalhead, you'll hope so.

Call this a perfect accidental find, but I can’t let the start of 2012 go by without spreading the word about Gauss, the next great metal act from Indianapolis I can guarantee you’ve never heard of. They’re so obscure right now you’ll find only their 12-minute prog-metal epic “Empty Frames” on their site, which you can download for free if you’re willing to sign up for the band’s mailing list. Trust me — it’s worth it … this song builds and builds, layering twist upon twist as they prove their instrumental mettle. This isn’t a 12-minute exercise in pretentious bullshit; these guys are ready to rock and they need the space this kind of aural canvas provides in order to let the music breathe. Consider it more of a song suite, an epic arrangement of half a dozen disparate hooks into one boldly daring example of what keeps me doing this job year in, year out.  This is a band I sure hope to hear a great deal more from in 2012.


SCOTT WILSON:  Vocals, Guitar (Ex-Demiricous, Romance Morgue)
CHRIS CRUZ: Clean Vocals, drums (Ex-Demiricous, And currently in Lorenguard)
BILL PELON: guitars, noise/atmosphere (Ex-Whiskeytits, Romance Morgue)
JEREMY KING: Keyboards (Ex-Whiskeytits, Romance Morgue, Fax Arcana)